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  • Home
  • About Us
  • 2026 Festival
  • ComMission Possible Project
    • Information & Registration
    • 2026 ComMission Possible
    • 2025 ComMission Possible
    • 2024 ComMission Possible >
      • Brian Balmages
      • Jessica Meyer
    • 2023 ComMission Possible >
      • Kelijah Dunton "Master Of My Fate"
      • Viet Cuong "Inland Oceans"
    • 2009-2022 ComMission Possible
  • Rising Music Educator Program
  • Festival Programs & Sponsors
    • 2025 Programs & Sponsors
    • 2024 Programs & Sponsors
    • 2023 Program & Sponsors
    • 2022 Program & Sponsors
    • 2019 Program & Sponsors
  • Beyond ArtLess Podcast
    • Podcast Episodes
    • Podcast Questions & Shameless Commerce
  • Webinars
    • BTN Webinar 1
    • BTN Webinar 2
    • BTN Webinar 3
    • BTN Webinar 4
  • Contact Us

Project Overview

Orchestra students will have the opportunity to ignite their own imaginations when consider the concept or idea for a new work to be create by composer Jessica Meyer. Below is information about this unique opportunity and experience. 

What Is The Timeline?

2023
  • Now-Aug 1       Schools/ensembles register to become a ComMission Possible Member
  • Sept 1-Oct 20    Ideas are generated by students using curriculum materials supplied by Beyond The Notes (BTN). Schools apply to be host ensemble.
  • Oct 20-Nov 1     BTN panel selects top 15 ideas and host school. Information shared with the composer for consideration.
  • Nov 20               Composer Interview #1 revealing concept selected/decided for the new composition.
  • Late Dec            Composer Interview #2 focusing on questions from students.
2024
  • Feb 1                 Composer Interview #3 sharing final work, ideas for rehearsal and performance.
  • April-June         Composer visit to the selected school for world premiere performance and residency! Schools that did not apply for the world premiere performance or were not selected will have the opportunity to perform the new composition listed as a "regional premiere".

Suggested Student Ideas

Ensemble
School
Student
Idea
Orchestra
Mt. Horeb
Everett
Chernobyl
Orchestra
Shorewood
Amalia
Ocean
Orchestra
Mt. Horeb
Sydney
Adversity Suffered By Indigenous People
Orchestra
Shorewood
Hannah
Walk Through The Forest
Orchestra
Green Bay West
Adriana
Magic of the Soul
Orchestra
Green Bay West
Allison
Inner Workings of the Brain
Orchestra
Green Bay West
Hailey
Machu Picchu: The Incan Empire
Orchestra
Green Bay West
Lilly
If You Give A Mouse A Cookie
Orchestra
Green Bay West
Riv
Aliens
Orchestra
Glacier Creek MS
Grace
Dark Woods At Night
Orchestra
Glacier Creek MS
Sanjana, Abby, Anuhya
Nebula
Orchestra
Decorah MS
June
Gaits of a Horse
Orchestra
Platteville
Arianna
Sirens
Orchestra
Platteville
Llija
Flying Paintbrush
Orchestra
Platteville
Zoe
Snow Globes

Composer Interview #1 - Concept Reveal

Composer Interview #2 - Student Questions

Composer Interview #3 - "The Forest's Call"

In The News

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Read Full Article Here

World Premiere

Jessica Meyer (String Orchestra)

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Jessica Meyer - With playing that is “fierce and lyrical” and works that are “other-worldly” (The Strad) and “evocative” (New York Times), Jessica Meyer is a GRAMMY® – nominated violist and composer whose passionate musicianship radiates accessibility and emotional clarity. Her first composer/performer portrait album in 2019 debuted at #1 on the Billboard traditional classical chart, where “knife-edge anticipation opens on to unexpected, often ecstatic musical realms, always with a personal touch and imaginatively written for the instruments” (Gramophone Magazine).

Meyer’s compositions viscerally explore the wide palette of emotionally expressive colors available to each instrument while using traditional and extended techniques inspired by her varied experiences as a contemporary and period instrumentalist. Since embarking on her composition career eight years ago, premieres have included performances by acclaimed vocal ensembles Roomful of Teeth and Vox Clamantis, the St. Lawrence String Quartet as the composer in residence at Spoleto Festival USA, the American Brass Quintet, PUBLIQuartet, cellist Amanda Gookin for her Forward Music Project, Sybarite 5, NOVUS NY of Trinity Wall Street, a work for A Far Cry commissioned by the Isabella Stewart Gardner Museum in Boston, the Juilliard School for a project with the Historical Performance Program, and by the Lorelei Ensemble for a song cycle that received the Dale Warland Singers Commission Award from Chorus America.
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Her first Symphonic Band piece was recently premiered by the President’s Own Marine Band (first at Strathmore then the NY premiere in Carnegie Hall), and her orchestral works have been performed by the Phoenix, North Carolina, Charlotte, and Vermont Symphonies, the Nu Deco Ensemble in Miami, at Tanglewood in Seiji Ozawa Hall, and all around the country as part of Carnegie Hall’s nationwide Link Up Program. She was the winner of the 2nd Annual Ellis-Beauregard Foundation Composer’s Award to write a piece for the Bangor Symphony, and a winner of Chamber Music America’s Commissioning Program Award to write for the Argus Quartet. Recent chamber/solo premieres included a work for CityMusic Cleveland, musicians of the Minnesota Orchestra, and for the Five Borough Songbook.This season brings the premiere of “GAEA”, a concerto for herself and orchestra, as well as works for the Dorian Wind Quintet, Hausmann Quartet, Hub New Music, the Portland Youth Philharmonic in collaboration with the female vocal ensemble In Mulieribus.

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