2028 ComMission Possible Project Info
“It was so amazing to get the opportunity to share ideas with a real living composer!”
Cultivating curiosity, sparking imaginations, and inspiring creativity, the 2028 ComMission Possible Project promises to positively impact students across the country.
Omar Thomas
Meet The 2028 Composer
Described as "elegant, beautiful, sophisticated, intense, and crystal clear in emotional intent," the music of Omar Thomas continues to move listeners everywhere it is performed. Born to Guyanese parents in Brooklyn, New York in 1984, Omar moved to Boston in 2006 to pursue a Master of Music in Jazz Composition at the New England Conservatory of Music after studying Music Education at James Madison University in Harrisonburg, Virginia. He is the protégé of lauded composers and educators Ken Schaphorst and Frank Carlberg, and has studied under multiple Grammy-winning composer and bandleader Maria Schneider.
Hailed by Herbie Hancock as showing "great promise as a new voice in the further development of jazz in the future," educator, arranger, and award-winning composer Omar Thomas has created music extensively in the contemporary jazz ensemble idiom. It was while completing his Master of Music Degree that he was appointed the position of Assistant Professor of Harmony at Berklee College of Music at the surprisingly young age of 23. Following his Berklee tenure, he served on faculty of the Music Theory department at The Peabody Institute of The Johns Hopkins University in Baltimore. Now a Yamaha Master Educator, he is currently an Associate Professor of Composition and Jazz Studies at The University of Texas at Austin. He was awarded the ASCAP Young Jazz Composers Award in 2008, and invited by the ASCAP Association to perform his music in their highly exclusive JaZzCap Showcase, held in New York City. In 2012, Omar was named the Boston Music Award's "Jazz Artist of the Year." In 2019, he was awarded the National Bandmasters Association/Revelli Award for his wind composition “Come Sunday,” becoming the first Black composer awarded the honor in the contest’s 42-year history. This work is featured as the closing piece on "The President's Own" United States Marine Band's album, What Dreams May Come.
Omar's music has been performed in concert halls the world over. He has been commissioned to create works in both jazz and classical styles. His work has been performed by such diverse groups as the Eastman New Jazz Ensemble, the San Francisco and Boston Gay Mens' Choruses, The United States Marine Band, the Colorado Symphony Orchestra, the Houston Symphony Orchestra, the Azerbaijan State Philharmonic Orchestra and the Showa Wind Symphony, in addition to a number of the country's top collegiate music ensembles. Omar has had a number of celebrated singers perform over his arrangements, including Stephanie Mills, Yolanda Adams, Nona Hendryx, BeBe Winans, Kenny Lattimore, Marsha Ambrosius, Sheila E., Raul Midon, Leela James, Dionne Warwick, and Chaka Khan. His work is featured on Dianne Reeves's Grammy Award-winning album, Beautiful Life.
Omar's first album, I AM, debuted at #1 on iTunes Jazz Charts and peaked at #13 on the Billboard Traditional Jazz Albums Chart. His second release, We Will Know: An LGBT Civil Rights Piece in Four Movements, has been hailed by Grammy Award-wining drummer, composer, and producer Terri Lyne Carrington as being a "thought provoking, multi-layered masterpiece" which has "put him in the esteemed category of great artists." "We Will Know" was awarded two OUTMusic Awards, including "Album of the Year." For this work, Omar was named the 2014 Lavender Rhino Award recipient by The History Project, acknowledging his work as an up-and-coming activist in the Boston LGBTQ community. Says Terri Lyne: "Omar Thomas will prove to be one of the more important composer/arrangers of his time."
Having been inducted into the storied and prestigious American Bandmasters Association in 2025, that year also saw the release of the Omar Thomas Large Ensemble's third and largest project to date, Griot Songs, which has been received with international acclaim. Tomajazz out of Spain declares that "Griot Songs is a work that redefines contemporary orchestral jazz, with an emotional narrative that connects with the listener from the very first note. Thomas solidifies his position as a leading composer, capable of integrating tradition, innovation, and emotion into a unique artistic vision." Paris-Move raves "beyond its originality, the grandeur of this album compels us to recognize it as nothing less than essential for any thinking person." Griot Songs has been included on several Best of 2025 lists and was honored with a nomination in the 57th Annual NAACP Image Awards for Outstanding Jazz Album.
In addition to his compositional prowess, Omar is a highly-sought after public speaker and advocate for music education, having provided the keynote addresses for the 99th National Association of Schools of Music (NASM) Conference, the National Association for Music Education (NAfME) Conference, the College Music Society (CMS) Conference, the Music for All National Convention, and Eastman School of Music's Context Conference.
17
Commissions
16
Years
20,000+
Students
WHAT’S INVOLVED?
Here’s What You Get!
The "Beyond The Notes Creativity Curriculum" and lesson materials that will lead your students through creative experiences/activities ultimately resulting in them developing a concept for the new composition. A panel of adjudicators will select the top 15 ideas submitted by participating schools for the composer to consider.
Three videos from the composer during different steps of the process. The composer will share initial steps, the concept of the work, answers to student questions, and the final product with rehearsal and performance tips.
Digital copies of the new composition to use with your ensemble.
The name of your school and the music teacher will be listed in the score.
Groups not selected as the world-premiere ensemble will have rights to label their performance as a "Regional Premiere".
There are loads of commission projects. Why do this one?
THE BREAKDOWN
Let’s face it, most commissions have you pay money for the right to have your name in the score. This project goes way beyond that by placing students at the center of the creative process. Students will be asked to explore their own creativity and curiosity, to ask questions, and to make decisions. Participating ensembles will receive the "Beyond The Notes Creativity Curriculum" that invites students to explore their own imaginations while considering a theme or concept that could be used by the composer for the new work.
Along with the other benefits listed above, it is at a price that is hard to beat!
2028 Project Timeline
2027
May 15
Beyond The Notes Creativity Curriculum shared with participating ensembles.
Aug 15-Oct 15
Ideas generated by students using materials found in the Beyond The Notes Creativity Curriculum.
Oct 15-Oct 20
BTN panel selects top 15 ideas and host school. Information shared with the composer for consideration.
Nov 20
Composer Interview #1 revealing concept selected/decided for the new composition.
Late Dec
Composer Interview #2 focusing on questions from students.
2028
Feb 1
Due date for composition.
Composer Interview #3 sharing final work, ideas for rehearsal and performance.
How to Participate
Entry Fee
$250 per ensemble